The Asian collections are primarily showcased in the museum’s 1933 Art Deco building in Volunteer Park, now called the Seattle Asian Art Museum. The Asian collection was the primary passion of our founding director, Richard E. Fuller, and today it is considered one of the top collections in the country. South Asian works were among the earliest objects acquired by the museum. Highlights of the ca. 350- work collection include Buddhist and Hindu sculpture, painting and calligraphy, textiles, and decorative arts.

Seattle Art Museum is currently completing a capital campaign to renovate and modestly expand our original building, scheduled to reopen in fall 2019. The museum’s landmark building was added to the National Register of Historic Places in July 2016, joining Olmsted-designed Volunteer Park, which was previously listed in 1976.The renovation will preserve the museum’s historic Art Deco façade and provide necessary improvements to modernize the interior of the building, which has not been substantially restored or renovated since it was built in 1933. In addition to bringing the museum up to 21st-century standards and providing climate control, fire safety, and seismic system upgrades, the renovation project will create much-needed space for education programming and Asian art conservation. A modest expansion will improve the museum’s connection to Volunteer Park, adding a new gallery and a meeting/event space while enhancing the beauty of the park beyond. Upon completion of the project, the Seattle Asian Art Museum will be a more dynamic and vital resource for the city, better reflecting the community that it serves.

The Asian Art Department is housed at the Seattle Asian Art Museum. It includes the Foster Foundation Curator of Chinese Art, Curator of Japanese and Korean Art, and a part- time department coordinator. Most years the Blakemore Foundation funds a support/research position for graduate students at the University of Washington to work under curatorial supervision. In addition to SAM’s general resources for programming, the Asian Art Museum houses the Gardner Center for Asian Art and Ideas, which sponsors lectures by internationally renowned scholars and experts, film series, and other programming. SAM also has an ongoing collaborative relationship with the School of Art + Art History + Design and the South Asian Center in the Henry M. Jackson School of International Studies, both at the University of Washington.

We welcome emerging specialists in the South Asian field who are excited about the prospect of building a new program in the vibrant community of Seattle. Ph.D. or ABD in the field of South Asian art desirable. Some museum curatorial experience preferred. Demonstrated ability to work independently and with colleagues to produce creative programming that contributes new knowledge and engages the public.

a Ph.D. (or ABD) in Art History with an emphasis in South Asian art and some museum curatorial experience preferred; consideration given to candidates with M.A. degree and some professional museum experience.

knowledge of and strong interest in historical South Asian art

connoisseurship in at least one major area of South Asian art; first hand experience in working directly with objects

knowledge of and strong interest in contemporary South Asian art

demonstrated scholarship and publication record

ability to speak, read and write fluently in English and at least one and preferably more South Asian languages as appropriate to area and period of specialization

first-hand knowledge of the South Asian art world and a working network of colleagues in the field, including contemporary artists

experience working with and advising collectors

strong leadership and ability to work and communicate effectively with many different constituencies including colleagues, trustees, artists, press, dealers, the public

superior written and verbal communication skills, including the ability to write engagingly for a general audience

a proven ability to handle a variety of tasks concurrently in a complex environment

commitment to the permanent collection and experience working with conservators

ability to productively work independently and as part of a team to realize institutional goals, especially with colleagues in Education, Marketing & Communications, and Museum Services

ability to work with community advisors and special interest groups

experience raising funds for projects